Boston Apothecary

September 24, 2009

the importance of vermouth

Filed under: vermouth — Tags: , , — sjs @ 2:43 pm

 The importance of vermouth (1941)

by B.B. Turner

General Manager, Roma Wine Co.

Vermouth today is the fastest growing item in the United States wine trade. It is also the one item about which less is known than any other, and upon which there is a great demand for information. It is a mystery to the average dealer and consumer. And to the wine industry it is vastly important because it has a future market noncompetitive with, but potentially as important as our standard Clarets, Sauternes, Ports, Sherries, Tokays and Muscatels.

The United States has never, until very recently, been introduced properly to Vermouth. It has long been just one of the mysterious ingredients mixed into cocktails, like bitters, seldom or never tasted straight. Americans don’t know whether Vermouth is a wine, a cordial, a liqueur, or distilled spirit or a brew.

Yet the fact is that Americans like the flavor of this temperate beverage, once they taste it. They like it equally well, whether as a minor ingredient in a Martini or Manhattan, or straight, or as the major ingredient in such mixtures as Vermouth cocktails and highballs. The mixing of Martinis and Manhattans still consumes most of the average 1,600,000-gallon annual U.S. Vermouth sales volume. But coming into popularity are the chilled glass of Vermouth straight at luncheon or at appetizer time, and the dozen other beverages in which Vermouth predominates.

Every present indication is that Vermouth consumption in America may soon become larger than at any time in history. The strange phase of this event is that it has been brought about by cutting of the supply of nearly nine-tenths of all the Vermouth this country formerly consumed—the Vermouth of Europe.

By introducing U.S. Vermouths to Americans, and Americans to our own country’s Vermouths, we are discovering a new mutual attraction, that many soon ripen into enthusiastic acceptance. Many wine producers and distributors who never tried to sell Vermouth before are becoming interested. They see Vermouths of this country, principally California, as quickly occupying the former market, and are showing signs of developing a greater market than foreign Vermouths ever had here.

Why has California not produced much Vermouth before, when it supplied nearly 90 per cent of all the other wine used in America? The fact is that California has produced Vermouth for many years, but in limited quantities for discriminating tastes that recognized the special qualities of the California product. We have never produced it extensively because the market was not important enough. Furthermore, until very recently, United States tax laws discriminated against Vermouths produced in this country by imposing a triple tax on them, as against a single tax on the foreign product. One of the Federal taxes was eliminated in 1936, and another in 1940, thus equalizing the tax on foreign and U.S. Vermouths. Today our good California Vermouths not only equal the average foreign product, for are individual—and to most American tastes, preferable to anything from other countries.

Most people ask us, “What is Vermouth?” The simple answer is, Aromatized Wine. It is imply wine flavored with infusions of various aromatic herbs, roots, flowers, seeds.

What kinds of herbs, roots and seeds? Any number, is the answer. Usually 25 to 30 different kinds are used. Roma Wine Company has nearly 100 kinds in its various Vermouth formulae. They range through the alphabet from Angelica root to Yarrow, and in between come dozens of rare, rhapsodical items like Blessed thistle, Cinchona bark, Peach leaves, Cordiander, Elder flowers, Rosemary, Thume, Hyssop, Marjoram, Valerian.

What kinds of wine? Pure wines, carefully selected wine of neutral or delicate flavors, mellowness, balance, clarity and strength selected to blend perfectly with the aromatic herbs an individual winery uses. The formula is always the secret of the individual producer. Seldom indeed does more than one use the same. The exception to this rule is when synthetic Vermouths are made from alcohol instead of wine.

We are asked so many questions about Vermouth generally, and Roma Vermouths in particular, that we much conclude the public wants to know at least briefly how it is produced.

Of first importance, usually, is the wine. Only a few wines will make satisfactory Vermouth. The best Vermouths are made with wine for which the grape varieties have been carefully selected years before they ever come into contact with the herbs. The wines much be comparatively neutral …

 

(i don’t have all of this one because it was attached to another article which i had requested… but the author was being a pretentious asshole and was working hard to build high art exclusivity around his vermouth.  there are other articles that chronicle vermouth production at the roma wine co. and this article has its own entry in amerine’s bibliography)

September 7, 2009

vermouth… some practical hints

Filed under: vermouth — Tags: , — sjs @ 2:27 pm

this is a reporduction of a 1945 wines & vines article.  it may be under copyright but i’m reproducing it anyhow to make the information more available and give the wonderful people at interlibrary loan a break.  hopefully this great body of work can help rejuvenate interest in aromatized wines.

by george v. carson

As an old hand in making both dry and sweet vermouth, I have read with great interest H. Otto Sichel’s excellent article about vermouth in the march issue of Wines & Vines. There is no doubt in my mind that domestic vermouth is going to stay, especially as it is quite feasible to produce vermouth in this country on a par with the best French and Italian products. Some herbs now obtainable are not so intensive as those formerly imported from Europe, but in the not too distant future we may expect to import these again which will greatly ease the work of the vermouth producers.

There are a few points in Mr. Sichel’s article which might be elucidated with advantage. Speaking from many years’ practice, I would like to give a few hints as to the best way of producing both dry and sweet vermouth under present conditions of government regulations and market conditions. 

There have been published innumerable vermouth formulas, both in Europe and in this country—some fantastic, some misleading, but hardly a single one of them can be used with good practical results. European houses try to keep their formulas secret and it is not likely that the published formulas actually are those being used in a recognized winery. Nevertheless, after many years of research and experimenting I can say that, with eight extract of herbs for dry vermouth and six extracts for sweet, it is possible to produce qualities as good as any manufactured in France or Italy. 

I do not favor the addition of herbs directly to the wine. It is much better to macerate these herbs in fortified white wine of 21 per cent alcohol, in separate containers, stirring them daily for two to three weeks. Of these macerated herbs, one-half of 1 percent of some, and up to 5 per cent of others, are added to the fortified white wine, together with other wines or sweetening material to turn it into vermouth.

The maceration in white fortified wine or unbaked sherry material is quite as effective as any method used in Europe. There, brandy or neutral spirits, cut down to 20 to 25 per cent by volume, is being used in the process of maceration, with the cutting down being effective in some cases by water at or near the boiling point. It is new to me “that in Italy herbs are being macerated in spirits of about 170 proof” which is equal to 85 per cent by volume –a procedure which, in my opinion is more likely to kill the aroma than to bring it out.

According to article 86-A, regulations No. 7, approved October 6, 1937, amended-distilled spirits may be used for manufacturing essences “to extract and hold in solution the flavoring materials” for vermouth. However, as the distilled spirits for such essences have to be taxpaid, the above method, while being quite as effective, is more economical.

It is advisable, after the herbs have been macerated sufficiently, to make a trial blend in a small quantity to ascertain whether the combination is according to the quality desired or whether adjustments are necessary.

 This trial blend should be observed for at least three weeks, so as to be sure that there is no excessive bitterness in the finished product. Artemesia and some other herbs have the tendency sometimes to develop an excessively bitter taste after some weeks, but it is a taste which cannot be detected immediately. However, if the trial blend is satisfactory after about three weeks in storage, the big blend can be produced in saftey.

Speaking about herba absinthii or artemisia I would like to point out that, as far as I am aware, no law in this or any other country prohibits the use of these herbs for maceration, the product of which is harmless. The distillation of these herbs, however, is outlawed in most countries because the end product is absinth, a liquor that is considered harmful. As for the basic material to be used for dry and sweet vermouth, any sound, neutral white wine with a high total of fixed acidity fortified to 21 per cent for dry and 24 per cent for sweet vermouth can be employed. As the white wines with the necessary fixed acidity are scarce in california the addition of citric or tartaric acid as suggested by Mr. Sichel is indicated.

 The same wines should be used for the maceration of the herbs.

For sweet vermouth the addition, beside sugar, of about 10 per cent of a good muscatel with greatly improve the quality, while dry vermouth needs only a very slight addition of sugar or sweet wine, refrigeration of the finished product is highly advisable.

It would greatly facilitate the production of vermouth if fortification of white wine, sweetening material and extracts of herbs were to be permitted in the fortifying room of a winery, as suggested in my article, “some suggestion to simplify regulations concerning the production of dessert wines,” published in no. 5 of Wines and Vines in may, 1943.

*******

this article seems to be a reply to another article in wine & vines by a Mr. Sichel.  i do have a request in for Sichel’s article with inter library loan and hopefully will have it soon.  one of the important things to take away from the article is Carson’s take on vermouth’s high art style exclusivity.  he thoerizes that many of the available vermouth recipes might even be intentionaly misleading.  he is confident that 8 botanicals can make a vermouth though i think it would create flavors fun but less refined as in Carpano’s Antica.  Carson’s maceration technique is notable.  He infuses at the minimum of alcohol that can keep the wine stable so as not to over extract the botanicals.  Carson claims the European’s do the same but differs in that he primarily uses wine as the base instead of water and a distillate.  He claims its for tax porposes but it also has the effect of preserving the natural acidity in the wine which is pointed out as a problem in california wines. (though its noted you can just add acid powder)  

Carson’s maceration advice would probably help in production of cocktail bitters.  i’ve tasted too many lately that were ruthlessly bitter in a negative way.  in my opinion bitters dont’ have to be “bitter”.  they are merely a set of extracts that borrowed the name “bitters” from their previously medicinal heritage.  to make them non potable the TCB should focus, not on making them objectionable “bitter” but rather on having a sufficently high dry extract.  extract over a certain level probably sufficiently leads to non potability.

interestingly Carson explains vermouth’s take on wormwood.  its not illegal until its distilled and it comes across as the less its talked about the better.  Carson never really talks about the analytical technique of constructing a formula and over all seems like he is making budget vermouth and not high art.  Amerine’s bibliography of vermouth has another article by Carson in it that is mainly about proposals for the tax code and the abstract notes that all of his suggestions were adopted.

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