A Theory of Wine-food Interaction

These idea were more recently explored again here.

Unraveling the nature of wine pairings is tricky stuff. I’m sort of out of the game these days because I do not work with a tasting menu anymore (or even a changing menu for that matter). When this blog started I had posted quite a few accounts of pairing wines with certain dishes. We did quite a lot of tasting menus back at Dante and I was fortunate to do a lot of eating and drinking of them.

At various times in the past I’ve mentioned some ideas that governed the mechanics of food and wine interaction such as sensory after images (they are harnessed for many magic tricks) and the change in contrast detection exploited by “black art” theater.

I’ve also discussed reward systems (read this Wired.com article first) that govern the construction of our reality when perceiving food. For example, sweetness can suppress the perception of bitterness when experienced at the same time. Bitterness is seen by the body as a negative and is therefore harmonically dissonant (a taste for bitterness can be acquired, of course and my theory is that the acquiring of something so attentional is related to anxiety). If you tasted Campari before it was sweetened you would probably spit it out, but after Campari is sweetened by the producer, the perception of bitterness changes markedly. Our body’s reward system recognizes that though bitter, Campari is also redeemingly sweet and therefore nutritious which is why it constructs reality in way that makes the bitterness less dissonant.

At times, food & beverage interactions seem like black art theater (watch the video linked above) where comparisons between flavor divisions result in changes in contrast detection among other divisions (harmonically or inharmonically) while at other times interactions seems like they are governed by nutritional preference or warnings.

It might be possible to classify reactive pairings in two ways: nutritional preference pairings and “black art” contrast pairings. It is useful to revisit Dorneburg and Pages’ amazing text on wine pairing What To Drink With What You Eat and consider these two divisions.

Why does a dessert wine always have to be sweeter than a dessert? When pairing dessert wines with sweet foods, we want nutritional preference to go to the dessert wine, therefore it needs to be slightly sweeter. If the wine is not as sweet, reality will be constructed to show preference for the food and the dessert wine will be presented by the mind as thinner and stripped away of its richness.

“With a simple apple dessert like apple pie, Sauternes is a soft and sweet accompaniment. But if you serve the same apple pie with caramel sauce, it makes the wine taste flat.” -Madeline Triffon  from What To Drink With What You Eat a.k.a. “WTDWWYE”

Madeline’s results may be because the caramel sauce is sweeter than the wine and our reward system favors it over the Sauternes.

“Having birthday cake or wedding cake with a brut Champagne toast is horrifying! If the dessert is sweeter than the wine, it makes the wine taste drier. My favorite all-purpose sweet wine is Moscato d’Asti.” -Madeline Triffon from WTDWWYE

Let us consider another scenario: port can come after bitter chocolate, but black espresso which is also bitter like the chocolate cannot come after port. Nutritional preference will dictate how reality is constructed and the second stimulus will either be flattered and harmonically enhanced or ridiculed by the mind. When black espresso is consumed after something sweet and more nutritious, the bitterness is dramatically emphasized in our construction of reality.

Our body warns us of all sorts of things with its construction of reality, but why? Some seem so innocent.

Why does increasing temperature lower the threshold of perception of alcohol making it more apparent in hot drinks?

Why does lowering temperature such as chilling a red wine, lower the threshold of perception of tannin? The same happens when intensely oaked whiskeys are chilled. What are we being warned about?

Pairings related to black art style changes in contrast detection might not work the same as pairings related to nutritional preference (I’m rethinking this because nutritional preference seems to always linger).

The black on black of black art contrast pairings is typically the greatest attentional feature common to both the food and the beverage. In the case of wine and food that feature is typically acidity while in the case of dark chocolate and espresso that feature is bitterness. Scanning through WTDWWYE, most all the highest regarded pairings are related to matching acidity. When the major attentional feature is matched, contrast detection between other features is augmented and they are “elevated” to quote commonly used pairing language. In best case scenarios, an aroma from the food is “brought back into focus” and seemingly superimposed over the wine. Typically foods that do this have a significant sensory after image which may prove related to nutritional value.

**** I will analyze these when i get around to it.

holy grail pairings to ponder from WTDWWYE:

almonds : manzanilla sherry

asparagus : sauvignon blanc

ribs : zinfandel the sauce on ribs often has sugar, but the illusion of sweetness in the aroma of the zinfandel might be enough to create nutritional preference in the wine.

biscotti : vin santo the wine is sweeter than the biscotti which tips nutrional preference in its favor.  the aromas are also not too disparate which might influence the reaction.

cassoulet : tannic red wine pairing tannin and fat could be less a pairing that happens in the mind due to nutritional preference and more of a pairing that actually happens on the tongue as is the classic explanation.  within the mind though,  the tannins could end and provide relief from the cloying sensory afterimage of the fat.  i’ll have to ponder this one next time i find a really tannic wine.

caviar : champagne

ceviche : sauvignon blanc

charcuterie : beaujolais

fresh goat cheese : sancerre this pairing features an acid/acid comparison which induces a change in contrast detection similar to black art.

muenster cheese : gewurztraminer (esp. low-acid fruity)

roquefort blue cheese : sauternes

stilton british cow’s milk blue : barley wine

chocolate : banyul’s or port

choucroute (sauerkraut) : alsatian reisling or german kabinett

clams : muscadet

corn : chardonnay, buttery oaky california

crab : riesling, esp. german kabinett or spatlese crab is often referred to in language as “sweet” and often dressed up in very nutritious butter, so a reisling like a sweet spatleses might be needed to induce a simple nutritional preference pairing.

foie gras : sauternes this could be a simple nutritional preference pairing where the reward for sweetness trumps the reward for fat.  the reward for the sauterns could only be slightly greater than that of the fatty foie gras making the experiences not feel particularly distant.

olives : sherry, esp. fino, manzanilla or amontillado the most prominent attentional feature of both could either be acidity if the olives are fermented or olfactory umami created by the esterifcation of fatty acids.  upon fermenting olives take on an aroma like sausages and sherry is known for its “rancio” character.

oysters : chablis the most prominent attentional feature of both can be acidity if minionette or lemon juice are added to the oysters resulting of a change in contrast detection in the aroma of the wine.  the chablis may also get associated with the lingering salinity (after image?) and therefore enhanced by our reward system.

salt? p. 164

Does any of this conform to anybody else’s experiences?

SO THIS ALL NEEDS BRUSHED UP ON AND THE “MACH BANDS” FLAVOR DIVISIONS WHERE CONTRAST DETECTION IS ENHANCED CAN PROBABLY BE IDENTIFIED FOR EACH PAIRINGS.

SHEPARD’S NEUROGRASTRONY MAY EXPLAIN MY IDEA OF NUTRITIONAL PREFERENCE COMPARISONS BECAUSE APPARENTLY, THE NOSE HAS A MECHANISM FOR IDENTIFYING AMINO ACIDS IN OUR FOODS.  FLAVOR PERCEPTION SEEMS TO BE WELL ORIENTED AROUND LEARNING AND CHANGES IN CONTRAST EXPERIENCED IN FOOD AND WINE PAIRINGS REVEALS OUR MECHANISM OF IDENTIFYING NUTRITIONAL VALUE.

3 thoughts on “A Theory of Wine-food Interaction

  1. Pingback: Tidbits:

  2. Pingback: contrast enhancement (in space and time) for food & wine interaction | Boston Apothecary

  3. Another recent publication for you to ponder, and which seems to mesh nicely with your description of pairing cassoulet and tannic red wine:
    http://www.cell.com/current-biology/fulltext/S0960-9822(12)00945-1#bib1

    While the exact physiologic nature of astringency is still a tough one to pinpoint though from what I’ve read, I believe the question you raise about the sensation of alcohol being heightened at higher temperatures has to do with the volatility of the alcohol and sensation of the vapors.

    Another thought is that foods with higher salt contents may contribute a lingering ionicity in the saliva, which would then affect perception of taste. Classically, salt suppresses bitterness. I suspect that pairing something like cassoulet and a tannic red may not only play off fattiness and astringency, but also carryover salt from the cassoulet may serve to temper the bitterness of the tannins.

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